Blueprint for a Ritual for Endings
[I have put these practices in a particular order and given suggested amounts of time for them that work for me. Mix and match, discard, add-in whatever works for you.
This is just a jumping-off point.[1]]
Setting The Space:
Do you need…
· An altar?
· A candle?
· A particular scent?
· Tarot cards?
· Something to eat?
· An intention?
· Sound?
Call in whom(what)ever you want to invite into the space with you…
· Elders
· Cardinal directions
· Spirits
· The memory of someone
· Protections…
[there is no right or wrong way to do this – however, pulling from your own history and knowing the sources that you’re pulling from is useful in grounding your practice [2]
Repetitive Physical Action Practice:
· Choose a repetitive and physically exhaustive action that you don’t have to use analytical, front brain thinking for [this could be shaking, walking/running backwards, doing one motion on repeat and observing how it changes…]
· Set a timer (or choose a piece of music) that is at least 20 minutes long – do your chosen action for non-stop for the duration of your time.
Transition (out of physical action practice):
· When you reach the end of your timer, stop your motion, observe your reaction, and give yourself a few moments to respond in whatever way arises [this could be lying still, moving, documenting in some fashion…]
Still/Slow/Meditative Practice:
· Choose a still/slow/meditative practice [this could be moving as slowly as you can imagine, a meditation practice, a breathing ritual…anything sustained and slow that feels right]
· Set a timer (or choose a piece of music) in the 10-20 minute range and begin your chosen practice.
Transition (out of still/slow/meditative practice):
· Open your eyes (if they were closed)
· or take some deeper breaths
· or place your hands on different parts of your rib cage and try to move them with your breath
· or slap your skin to wake it up
· or…
Sensorial Practice (to attend to the present moment)[1]:
[these are shorter explorations. I like to observe the thing for 30 secs and then move from/write/draw for 30 secs. Use the amount of time and setup that makes sense for you.]
· Visual: choose something you can see. Observe, and then respond to this object/color/shape/etc. in whatever way you like [I do these all through movement, creating a sort of movement “document” of the moment in time and space where I find myself...you might prefer a different kind of “documentation.” Repeat for at least 2 more rounds.]
· Auditory: same as above. Except observing and responding from something you can hear. (at least 2 rounds total)
· Sonic: same as above. This time observing and responding from sound you make yourself. If responding in movement, you may want to do both the observing and responding simultaneously. (at least 2 rounds total, letting the sounds that emerge be different each time).
· Tactile: working from something you can touch. (at least 2 rounds total)
· Smell: working from something you can smell. (at least 1 round)
· Taste: working from something you can taste. (at least one round – this can be something you intentionally brought into the space with you, or as simple as the inside of your mouth)
Closing:
This could be…
· a song/lullaby you sing to yourself
· a reverence
· a body scan
· bowing
· a word
· a prayer
· a mantra
· writing
· drawing
· documenting
· sitting
· settling out
· a short meditation
· pulling a tarot card
· scanning the horizon slowly
· ringing a bell
· a single clap…
[1] Folks who have had an influence on the development of some of these practices for me (whether they know it or not) are: Keith Hennessy, Jennifer Monson, Mauriah Kraker, Carly Campbell, Marie Garlock, Baba Chuck Davis, Jess Curtis, Nicola Bullock, Lisa Dixon, Kathleen Hermesdorf, and Annie Dwyer. Thank you for teaching/questioning me about creating spaces, presence, sweating, and finding closure.
[2] and in not being an appropriative asshole