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rewrite:

reflecting on why

by Bree Breeden

Re/fraction:

study of ephemerality

by Madison McGain

Re/ Fraction: study of ephemerality and rewrite: reflecting on why are two stand alone journeys that share digital space created by Madison McGain and Bree Breeden respectively. We have never met, but our conversations around mortality, tension in our movement, stoicism, impermanence and more led us to sharing this digital space. This space is set in two adjacent worlds that occasionally meet during a time of pandemic. These works are currently being processed during a time of dismantling racism in every sphere. This work will live on as personal practices of reflection, improvisational scores for the future and friendship. This sharing exist through practices of empathy.

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t h e b e g i n n i n g

the future. unstable and rocky but the in between spots of the rubble theres space. Theres so much space. Floating on fantasy, being daring because theres space, new space, I dare this time because. theres space for connecting and absurdity, theres space for me to do. I feel a call to merge fantasy and doing. I feel connected and called for the first time. A merging. . 

This changes the narrative. This changes the score. 

(So whats the score? What absurd (remember theres space for whimsical modes of being theres space now to "do you" but you have to do. improv, chance this risk this, plant this grow this practice this reflect this connect this ask this re and re again) who and how can I be in this? sourced information is the score, empathy is the score. Reach out -- Step 1 how are you right now? 

Let movement be a means to remind us of humanity.

To illuminate and exhibit hardship, challenge, resilience.

Allow yourself to fall on our shared experiences to create unity.

Abandon the “artist” facade as a categorical mode to separate us/them.

 

m e e t i n g p o i n t

of email exchanges

( 1 )

stoic ideals & how the pandemic forces us to confront mortality 

On the good days, it feels as though this previously inconceivable experience has led to living life in an incredibly profound way. Even mundane tasks feel profound. The confrontation with our own fragility, a more personal understanding of impermanence, makes everything more sacred, more precious, more worthy of our attention, like flowers that bloom in the spring for maybe a week, leaving as quickly as they came. Their ephemerality demands our attention and appreciation. If they were always present, we’d most likely take them for granted, a lifespan of something deeply informs our relationship and value of it. 

—Madison

 

( 2 )

re: stoic ideals & how the pandemic forces us to confront mortality 

I love this. I love this state of profound meaning in the simplest of ways. Its not cautionary or being scared on these good days but I have access to care and patience. I used to confuse the two. Your words above are so refreshing and im just thinking wow, we have words, that have meaning, they have history and some are just being added. Words like “hangry” haha but to feel it is another thing and then to relate is another thing and then to extend those words and be about it. is… another thing. The good days are sooo sooo (as you put it) profound. 

— Bree

 

( 3 )

on today’s history

……….splitting in quarters for protection to prove that WE are deserving of life beyond protesting and proving worth. It seems logical that earth-- encompassing people, plants, animals, ideals, trends, societies, cultures, the vast range of differences spanning person to person, flower to flower, bee to bee-- logic is thwarted, the cycle of what we deem normal has ended its cycle. 

the blooming of compassion as a means to make, a means to wake up, a means to tend new soil and grow from empathy and understanding of perspectives, listening!

to listen! to then feel! to then empathize! to then SHOW COMPASSION and create acts of compassion. Defensive barriers, and lack needs to diminish. 

— Bree

(4)

re: on today’s history

REMEMBER THIS. How many times have we been here? How many more times will it take? Why did it take what it did? Why couldn’t I feel a call to action before it came to this? Why is it a struggle to embody problems which don’t directly impact us? REMEMBER THIS. Remember the feeling. Remember the anger. Remember the self-confrontation, the reflection, the hurt, the disappointment, the rage, the fear, the discomfort. Remember it’s not even a fraction of what those who experience the direct impact feel. Remember the work you are committing to. Remember sitting with yourself, accounting for, taking ownership of all the ways in which you participated in the hurt and oppression of other human beings. Let this not be debilitating but the fire that fuels you. When it feels painful to REMEMBER, remind yourself this: To have to remember is a privilege. You’re trying to bring into consciousness an experience of the past. It means you will not live it, day in and day out. That’s privilege. If you forget, because you return to comfort, you’re letting the same system that keeps you satisfied, continue to oppress others. You’re letting the system keep your needs met silence you and continue to benefit from your complacency. Commit now to long term strategy. Commit to integrating a tangible practice that prevails when the emotions pass.  And then REMEMBER and remind yourself what privilege it is to be separate enough from injustice that you can look at it as a past experience. REMEMBER, until everyone obtains the privilege of REMEMBERING.

— Madison

re/fraction : study of ephemerality

images | photos by Madison McGain

music by Ordinary Blood

music by With The Haunted


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rewrite: reflecting on why

r e - m o v i n g

r e - a r r a n g i n g

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Original Video filmed by Kathleen Kelley

Photo | Film Edit |text by Bree Breeden

A rant .

I found my work is not my perspective its my defense its my protection, a shell built out of generations of struggle and oppression, yes, but that greatness, power, joy I suppress.

my prayer plant falls as I am thinking these things...I cant help but give into the sadness of thinking "did I water it too much, did I, did I..." but in that time i'm listening, im learning and changing and blooming. Were growing together, cohabiting, living even though life, as we knew it to be, is deteriorating, we are still living.

One has to bend and break lift and fall. The other has to bend, break, lift, fall, and navigate strategically and defensively through rooted systems in racism. This isnt a choice. One has to literally break into pieces, divide into actual pieces in order to survive. One has to break, lift, fall, rebirth, find purpose a sense of self, go through tragedy to regain strength. and one has to do that as well as prove and defend .

This week, the news, the pandemic, im tired, im angry, im sad, I feel helpless I am feeling! I want to hold and reach people the screens are not enough. I feel dispensable and dry. This week felt like the soil was being pulled beneath my feet and roots were dragging me under. A retreat, no a re-treat.

I saw an image someone sent of wilting flowers being reflected on a mirror. A whole lifetime of bending and stretching, maneuvering, making room for other flowers to grow, being rained on, being trampled on, but springing back up, being marveled being picked, being chosen being all this and having that being reflected back.  an ecosystem of memory and empathy.


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Bree Breeden is from Cheraw, S.C. She received a Bachelor of Fine Arts in Dance Performance and Choreography from Montclair State in 2016 where she performed works by Bill T.Jones, Jose Limon, Larry Keigwin, and Martha Graham. Currently, she is a dancer and the Managing Director for Proteo Media + Performance and dances with VON HOWARD PROJECT and MICHIYAYA Dance as well as other freelance performance projects. Bree has previously worked at Movement Research as Operations Associate and has worked with various NYC based dance companies providing administration support.  She also choreographs and performs her own work which has been presented at Embodied Spaces Festival in 2018, Montclair State University in 2015 in Danceworks, ACDFA and at Earl Mosley Institute of the Arts dance talk series in 2016. She was awarded the Choreographic Excellence Award in 2015 and Outstanding Performer Award in 2016 from Montclair State University.

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Madison McGain is a freelance artist based out of NYC and Santa Cruz. Since earning her BFA in 2017, she has danced for KayCrudden Co, FlockWorks, Mizanty Moves Dance, Spaces of Fontana, and Amanda Selwyn Dance Theater among others. She has performed at venues such as Austin Dance Festival, Queens Theatre, Wilson College, Actors Art Fund, and Temple University. Her own work been presented at The CraftNY, 7MPR, Small Plates Dance Festival and the New Work Series. Madison is committed to using dance as means to illuminate topics fundamental to the human experience, with the hope she can cultivate true and honest connections between the work and its viewers.

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